Part of our ongoing Cinema Sounds series, Paul Gonter brings us “Massive Attack v. Adam Curtis,” a documentary collage and live performance to be held in New York City.
The Artist(s): the best of trip-hop sounds, Massive Attack, and the best at political documentary, Adam Curtis
The Influence: the ever increasing surveillance culture that aids State & commercial control over social systems
The Result: a haunting, anxiety inducing audio visual immersion
*If this thread was focused on cinema that uses music intertextually, then post #001 would have been Curtis’s It Felt Like a Kiss; g-men, Phil Spector, and modern cultural identity – what more can you ask for?