Raymundo Gleyzer attacked the authoritarian Argentinean government with revolutionary cinema.  “I don’t believe in revolutionary cinema. I believe firmly in the revolution.”  Here we have, in writing, the artistic philosophy of radical Third Cinema pioneer Raymundo Gleyzer. The Argentinean filmmaker spent his career telling stories on shoestring budgets and evading the censorship of an authoritarian government. A rare artist who lived without vanity or the need for self-expression, his films were the ammunition of a revolution fated to fail him.  Armed with only a 16mm camera, Gleyzer dropped out of film school in the early 1960s and set out to make his own documentaries. Focusing his lens on small peasant