Fill the Void depicts the Chassidic world from a female perspective with sensitivity and artistry. Orthodox Judaism is typically represented in cinema one of three ways: There’s the “Yentl” approach, in which the Orthodox world remains frozen in Old Country Shtetlach even as their

In a style reminiscent of Chris Marker,  Reunification  (2015) meditates on the nature of memory, family, and art. Alvin Tsang is motivated to contextualize his family’s experience empathetically, historically, and philosophically. The intimate family history we are given is marked by