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“There is a pulsating ache at the heart of writer/director Sophy Romvari’s assured feature debut Blue Heron that hits with such precision, it could break you open from the inside.” – Robert Daniels, RogerEbert.com
Described by writer-director Sophy Romvari as her attempt to “capture just how fallible memory is,” her feature film debut Blue Heron pushes the boundaries of temporal filmmaking as it traces both a fissure point for a fragile family and the ultimate strength of the ties that bind.
Set in the late 1990s, the film follows the POV of Sasha (Eylul Guven), the eight-year-old daughter of a Hungarian immigrant family who have recently relocated to Vancouver Island, as her older brother Jeremy (Edik Beddoes) begins to display dangerous behavioral issues. Mining her own family’s intimate history with a delicate hand and an innovative understanding of film’s infinite possibility for emotional excavation, with Blue Heron Romvari expands and redefines what a coming-of-age film can be.
As stirring and poetic as it is incisive and raw, Romvari’s daring directorial debut is personal filmmaking at its finest. Blue Heron premiered at the Locarno Film Festival, where it won the Swatch First Feature Award, it later won the Best Canadian Discovery Award at the Toronto International Film Festival, and was named the Best First Feature and awarded the Rogers Best Canadian Film Award from the Toronto Film Critics Association.
Sophy Romvari, 91 mins, Canada, Hungary, 2025, DCP, English and Hungarian (with English subs)
MUST-WATCH INDIES – SERIES PROGRAMMER
Marya E. Gates is a freelance film historian, writer, and author based in Chicago. She studied comparative literature at U.C. Berkeley, and also has an overpriced and underused MFA in film production. Her first book, Cinema Her Way: Visionary Female Directors in Their Own Words (Rizzoli, 2025), is in stores now.